Had a great talk from artist Bruce Williams last week – it was (as all these talks are proving to be) very inspirational and thought provoking.
Bruce Williams – art in the real world
Bruce makes impossibly huge pieces of art – and it was so interesting to hear the mammoth research that goes into each piece. I am guessing that most people will pass his pieces in Brighton, Portsmouth, Havant, Wimbledon or Swindon (to name a few) and not even notice them, let alone realise the great care that went into the sculptures’ conception.
I think the piece that struck me the most was the new school. Bruce went to the empty field before it was even built and took photographs of the flora and fauna there. He then abstracted and pixelated those plants and made huge colourful windows for the school. The windows are incredibly beautiful, enough for some, but how much more to realise that the colours and patterns are based on plants that once grew in that field?
I also loved his curvy fences from Havant – I almost want to drive over there and have a look!
Bruce puts in so much effort into each proposal – I put a great deal of thought into my first one at Portsmouth Guildhall, and hearing his methodology confirmed to me why I won that exhibition. Keep it local and relevant. Care.
See more of Bruces work here: http://www.brucewilliams.net/
I was lucky enough to discuss my MA project with Bruce and he had some very pertinent input. My project is about liminal spaces and about using mindfulness to cross those difficult spaces in our minds. He pointed out that firstly I wasn’t being very imaginative with my hanging plan (and I wasn’t!) and that it would be so much better if I could have some participation. He said that:
“Something should happen when your audience are present”
I loved this idea immediately – the pun on being present is superb (I am only miffed I didn’t think of it myself) so I have been thinking about how I can achieve this.
I have been researching pressure sensitive mats and infra red motion detectors, looking at Raspberry Pis and LED screens. A whole new world but I think I have the kernel of a good idea that I am taking forward (with the assistance of a very kind Geeky Husband!).
I also had an idea that I would like to do a painting performance and spent a fun couple of days playing with pouring acrylic paints. I love this idea, but it is not proving practical. I will continue and see if I can get one good painting for the exhibition but I have given up on the idea of doing one a day – that would have been 15 paintings! The cost of that would have been astronomic and it would have been messy too, they take too long to dry. But still, the effects are gorgeous and really speak to me. There is something very mindful about setting out your paints carefully, mixing each one methodically and then setting about pouring the colours and seeing them mix. To me it was a little like a Japanese Tea Ceremony, something that was done with reverence and love.
The featured image above and the one below was done in one of my pouring sessions. More to follow I hope!