Time for a cull

A great many artists will tell you that it is essential to have a cull of your work regularly, in order to keep things fresh, but it is a very difficult thing to do.    Earlier this year  I met Mark Anstee (see my blog post from January) who strongly feels that his work is temporary, and consequently, he culls regularly.

Yesterday I went to the excellent Abstract Expressionism exhibition at the Royal Academy and was delighted to see two photographs by Minor White included in the genre.   I have known about Minor White for a while, he was a mentor for John Daido Loori who I admire very much (Lee Aspland introduced me to them both) but I had not seen any of his work in person.

The prints they chose were mesmerising and I realised in an instant that I had to cull my photographic work and concentrate on the simple, zen, abstract work that I do.

So this morning I have deleted hundreds and hundreds of pictures that I have taken this year.   I have only kept the ones that made my heart sing when I saw them, and surprisingly most of them just evoked a ‘nah’ reaction – it wasn’t very difficult to do!

“One should photograph things not only for what they are, but also for what else they are.” Minor White

a-img_5132
Leaf, 2015

The featured image is “Elson, 2016”.

Advertisements

One thought on “Time for a cull”

I'd love to hear what you think!

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s